Tristan Perich‘s 1-bit symphony is out and it is dynamite. I went to the CD release party at Roulette on Friday and loved the entire show. To read more about this 45-minute symphony, check out www.1bitsymphony.com .
I first met Tristan a little over a year ago when he showed me his piece for three toy pianos and three-channel 1-bit tones, qsqsqsqqqqqqqqq. To listen to more of his music, check out his website at www.tristanperich.com.
Dear readers– I apologize for the long delay in my blogging! I just spent several weeks “off the grid” and went to Bloomington Indiana to study for my music theory minor field exam. As much as that may sound like the worst thing to do over the summer, I actually ended up appreciating the long hours in the quiet library followed by evening swims and fresh organic foods. In this period of time, I hardly touched any keyboard and spent 6-7 hours a day looking at scores and analyzing them. Thanks to my friend (and tutor) Tim Best, I was able to see some great things in the practice of analyzing music…something that seems generally very distant from me while performing and on the road.
I’d say the worst part was certainly the four hours of examination. Now that I am on this side of the rainbow, I am able to return to some of my more genuine interests and begin playing the keyboard again. My plans for the rest of the summer include learning new music for next season and finish recording my second CD!
More to come soon.
I ended my 2009-2010 season with a beautiful trip to Portland, Oregon on June 3rd. I was invited to play a mostly toy piano recital at a really great new venue called Doug Fir Lounge. The place reminded me of Le Poisson Rouge in NYC but with a much more indie-rock sort of feeling. Apparently, the designers of the venue picked out the sound equipment first and then built the space for the equipment. The walls have a log cabin look to them that add a laid-back feeling to the venue.
I was brought to Portland by the Portland Piano International. As a 30-year organization, Portland Piano has been one of the few non-profits with the unique mission of supporting fine pianists for the purpose of enriching and educating the community. I found out that I was their first ever off-the-beaten-path keyboard player to be presented in an alternative venue.
It was interesting to see the audience members trickle in. The regular Portland Piano concert-goers showed up an hour early and were able to claim seats. The younger crowd and Doug Fir Lounge-goers seem to show up much later in the evening. Even though everyone was 21+, it was still one of the most diverse audiences I have played for. They were extremely friendly and wildly open to the toy piano. Many times during performance, I heard small choruses of laughter. I really love the fact that some aspects of my toy piano concerts are humorous and can actually induce laughter. It’s refreshing to have that direct contact and rapport with the audience.
There was a woman that came up to me after my concert and wanted me to write “PPC” on the palm of her hand with a bald-point pen. I asked her what it stood for and she said “Pre-disposed Pop Cans.” Later, she explained to me that she is a writer and she couldn’t believe the tickets to the show were only $15. She apparently paid for a ticket to see the show by recycling $15 worth of soda cans! She felt inspired to make a story out of it called “PPC.”
That was certainly the first time I had such a reaction to one of my shows!
I just got back from the official opening of Theatre For One. Before I write about my experience performing in the booth, I want to state how amazing Christine Jones has been through this entire process. Not only is she an amazing designer but she has been such a great spirit to be around and incredibly generous throughout the process. As the artistic director and creator of Theatre For One, Christine made a unique performance space for one performer and one audience member with music road cases and plush red velvet on the inside. It’s hard not to be reminded of the Time Square peep show culture when seeing the booth. Several years ago, Christine had this idea and decided to collaborate with NY architects LOT-EK. Theatre For One has really been a beautiful partnership between these artists’ visions.
I played for about 30 people on Saturday night in a 2-hour shift. Each time the door opened,there was someone else there that felt entirely different. Since I have been performing music , I often prepare for shows by focusing my energies internally toward myself. The other thing about piano recitals is that there is never any eye contact that is made. Since I do not use my voice to sing, most of the focus of attention is really in this intimate space between my arms in front of my belly between myself and the piano. In the T41 booth, I felt that I could direct my playing towards a specific person.This really changed the way that I listened to myself and opened up a lot more vulnerable space. To be honest, I’m not use to being in touch with a specific single person as I am playing, especially someone that is a stranger. I felt that this really affected my playing and general feeling each time.
T41 has been extended! Be sure to catch i Memorial Day weekend May 29-31st in the afternoon and evenings.
There were a number of artists at the Look & Listen concert last Saturday sketching during the performance. I found a few drawings from Julia Sverchuk and wanted to share them. They are so alive and seem to really capture the feeling of performance! I especially like the picture of Karlheinz sitting and listening/recording the performance. Many of her drawings can be viewed on her blog.